8/10/2023 0 Comments Casting director salarySo to have somebody with those kind of acting chops really and to give them a part like this is very exciting. She’s one of those rare performers who is completely masterful at both comedy and drama. But I had known Kathryn a long time and seen a lot of her work, which gave me a very good sense of her incredible range. SF: Yeah, it was so exciting to see what she was able to do and how the audience responded to her. What is it about her as an actress that really fit the character of “Agnes?” She’s a great addition to the Marvel Cinematic Universe. But I do want to focus on two key actors who sort of shifted the conversation on both shows. It was more about tone and style of the actor than having a certain look.ĪD: There are so many great actors working on both shows: The Falcon and the Winter Soldier as well as WandaVision. It was much more about the actor’s ability than how they looked. Obviously having Lizzie Olsen and Paul Bettany set the bar so high that it became a fun challenge. It was really finding actors who had the flexibility and range to be able to kind of fluidly move from era to era of that classic sitcom format. Luckily, I know that I can rely on the most amazing costume hair and makeup artists to do their job. SF: It really was about the skill and dexterity of the actors. We’ve been able to expand the team which has been fantastic, and these are amazing casting professionals that I’ve worked with for a long time that have been able to come up and help.ĪD: How did you start to think about how you’re going to cast for the different periods that are reflected in the initial episodes of WandaVision? For the streaming series, we have to really accelerate our pace. Often in a film I’ll have a year or more to be looking at various parts and doing searches. For the pre-production period, we have to move faster. That’s a 6-hour movie for us from a casting point of view, so the volume is much more intense. So instead of having a 2-hour film, Winter Soldier is basically a cinematic feature film but over six episodes. SF: The goals would be the same, to find the best actor, but the process is different because the scope and the volume is so huge. You sort of learn how to listen and communicate really well, and I trust that process and that collaboration.ĪD: So when you’re looking at casting for television now that Marvel has such an enormous footprint on the Disney+ streaming service, is there a difference in the way that you would cast for a television series or a limited series over a film experience such as Endgame? The third thing I would say, which is really valuable, is having this long relationship with Kevin Feige and all the producers and the filmmakers. As we’re identifying who might be the candidates, we are very mindful of does this person have the range, the talent, the charisma, the skill, the humor to be able to interact on this larger campus in the MCU as a whole and potentially hold their own against anybody they could meet. We’re always casting as wide a net as possible. That is the immediate task and the immediate goal. What we do is I try to learn everything I can about the character and the director’s vision for the film or the project. Sarah Finn: The key, honestly, is to focus on the task at hand because it’s hard to think about the whole thing at once. Here, in a conversation with Awards Daily, Finn talks about her process and the challenges inherent in both Marvel projects in contention for the 2021 Emmy cycle.Īwards Daily: What are the some of the key takeaways that you look at when you’re trying to cast a Marvel film on such a large canvas? That’s something the Academy of Motion Picture Arts and Sciences has yet to do with the Oscars. Given her legendary casting expertise within not only the MCU but also the Disney+ variants (enjoying Loki are we?) and other non-Marvel projects, Finn never lets the weight of the projects keep her from fulfilling the needs of producers or directors.Īnd since the Television Academy has the good sense to reward casting for television series. It’s a heady experience talking to someone so incredibly instrumental, so incredibly key, to the last 20 years of the Marvel Cinematic Universe. Casting director Sarah Finn started with the MCU way back on 2008’s Iron Man and continues this incredibly fruitful partnership now that the MCU expanded to Disney+.
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